Saturday, May 12, 2012

Grammar Police!


One of the necessary evils of being a teacher is checking exam and test papers. Not my favorite part of the job, it is something that I have been compelled to do ever since I volunteered to help in a school while awaiting my own exam results whilst in college. As a teacher of English, over the years,I have seen student's papers that have had grammatical errors bordering on various degrees of the horrific, scandalous, hilarious, and frankly irritating. Here are some common mistakes which have persistently been committed by students:


1. 'Their' and 'There' and sometimes, even 'They're'. Also 'its' and 'it's'.


2. Using a phrase such as "He was one of the most famous writer of the age".


3. Combining two words - "infact", "inorder", "alot", etc.


4. Confusing like-sounding words - the latest paper I checked kept saying "imagery" for "imaginary"!


5. Unnecessary use of the apostrophe. "She always keep's her room tidy."


6. The invention of new words. Here's one in the current batch of papers:"Honey, wife of Nick also told lies as being impregnant before she marries Nick." Someone else has also written "leaved".


7. Misspelling of words: Examples from said batch : "revange", "commentable", "thingking","twarted","transcents", "metaphore", "intrigacies".

8. Using text message lingo. Examples "U r" for 'you are', "2" for 'to' and so on.


One of my students consistently submits papers that are very entertaining. Recently, she has described a protagonist of a novel as a "chick magnet" and another character as belonging to the "biological department". Other students have written of characters who have "illusioned themselves", while yet another writes of how "the author also uses this hole in his structure of the novel." Don't ask.


My obsession with the correct usage of the grammar has often given me a guilt-trip, especially when I remind myself that nobody here is a native speaker of the language. Having said that, I did feel a little less guilty after stumbling across hilarious pages such as this and this . This also makes sure that you are reminded of the mistakes you make. I'd recommend checking them out.

Friday, March 30, 2012

Letter to Lyova


Lyova, wherever you are,
I want you to know
I have finally mustered up
My faltering courage to use
This handmade, woven notebook
That you pressed into my hands,
Urging me to fill it with words.

The little doll that tsunami-victims made
Still stays pinned on the cover,
Although the pin is now rusted.
"Tsunamika" is her name.
I wonder how long her creator
Struggled to concieve of such a
Witty play on words.

I wonder if she had writer's block.
Did she, like I, suddenly feel her words unworthy?
Did panic grip her every time her fingers held a pen?
Did every painful, labored word
Feel like it drew blood?

Lion-philosopher, did you know
The enormity of the burden
You left in my hands
When you left this notebook behind?

It is strange that after all is over,
When images of sitting on floors of dusty coaches,
Curd-rice, balmy monsoon evenings,
Jewish temples, Adorno and Heidegger,
Nuns severe in habits of gray
Have started to blur like pictures
Of trees taken from speeding trains,

This notebook remains,
Eloquently silent,
At times accusatory,
At others comforting.
Finally I have taken it up
Because I owe it to the gift,
And I owe it to myself,
And I wanted you to know that, Lyova.

Monday, March 26, 2012

Dying Alone

The news that greeted me when I logged on to facebook today was that my maternal cousin, Reem-a had died in a car accident in the early hours of the morning. Probably because I stayed the night alone in my apartment, my family had not informed me of this, and thus it was that I was confronted with the news via the status update of one of my other cousins. Anyhow, this is often the case with me – I am always the last to hear of any news in the family, births, deaths, marriages, and the assorted calamities and celebrations in between.

I was not particularly close to Reem-a since we hardly meet anymore, and he was a bit of what we Mizos like to call a ‘cowboy’ – a bit on the wild side, although he was a lot of fun, with a terrific sense of humor. When I imagine him in my mind’s eye, I see him grinning from ear to ear. That was the kind of person he was. The youngest of a large family of six other siblings, he was doted upon by his brothers, sisters and parents. He lost his mother, my aunt, a few years ago, which must have been especially hard on him. I like to think of him now being hugged into his mother’s warm embrace. Although I have not been able to attend his funeral, which is in Lunglei, I can imagine the waves of shock and grief that must be coursing through his near and dear ones right now. Rest in peace, brother. Sorrounded by his family and friends, he has left this world.

Mizos have this fear that we will have nobody to mourn us when we die. I’ve been thinking about it, and I guess that for many of us regardless of race, culture, or environment, dying alone may be one of the biggest fears that we have. Not that you can die with anyone, but not to have anyone to feel a sense of loss, of bereavement, seems an empty existence. To many, that may sound illogical. After all, once you’re six feet underground, what would it matter whether you had mourners or not? And yet, such is human nature. We want people to feel something when we leave this world.

That is why, we love and love and love again no matter how many disappointments life deals us. People are fickle, people are callous, people are unpredictable, people hurt us. And yet, we leave ourselves open to new experiences, willingly make ourselves vulnerable in the hope of finding someone to fill that gap. That persistent need to be loved. Our determination that we will be loved, just as we have loved. How brave we are, how strong the human spirit! Here are a few words that Native American writer, Louise Erdrich has penned in her novel, The Native Drum:
Life will break you. Nobody can protect you from that, and living alone won’t either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You are here to risk your heart. You are here to be swallowed up. And when it happens that you are broken, or betrayed, of left, or hurt, or death brushes near, let yourself sit by an apple tree and listen to the apples falling all around you in heaps, wasting their sweetness. Tell yourself that you tasted as many as you could.

Sunday, March 13, 2011

The Aizawl Thunders

(Once again, I apologize if this sounds dry and academic; it's an ongoing project that I am working on, a paper as yet incomplete. At the risk of sounding pompous, it hasn't been published yet, so I would appreciate discretion.It's too long, so I've shortened it as much as possible)






In Aizawl, Mizoram, in the year 1999, a group of bikers who rode Royal Enfield Bullet bikes came together, and taking their cue from American biking clubs that they had heard about (specifically Hells Angels), decided to call themselves the Royal Enfield Bullet Riders, and went on their first ride on November 5, 1999. There were only a handful of riders then, and most of them rode second-hand bikes that had been reassembled, repaired, and remodeled. Their enthusiasm and their obvious love for the machines they rode made up for any other lack in terms of numbers and equipment. They were later to be officially recognized as the first Bullet Club in India by the Royal Enfield Company, the manufacturers of the bikes they rode.

As the rides continued, their numbers also gradually grew, and by 2002, they had grown to the point where the necessity of electing leaders for the Club was felt. Leaders, called Chiefs, were thus elected, and the Club was also renamed The Aizawl Thunders, a name suggested by one of the founding members, Rinchhana.

Over time, the Thunders evolved into a group that was organized along coherent lines, with proper rules of conduct, identifiable modes of attire, and activities stretched beyond the bike rides in open countries to charity rides for specific causes. They chose deep blue and red as their official colors, and the phrase, “Forever Young” became their motto. Stickers with the Thunders logo were distributed to members, bearing the year of membership, which incidentally, was to be renewed each year, and T-shirts were designed and distributed amongst members of the group.

In 2003, a Constitution was framed by the Executive Committee members of the Thunders, and in accordance with their Constitutional framework, elections are democratically undertaken annually, and in 2006, it was agreed that three Chiefs would be elected at each election. These three Chiefs would then distribute the responsibilities of leadership amongst themselves. Early activities included rides mainly, and after they grew in the number, they would often hire themselves out as security personnel in concerts and parties, which they have since stopped doing.



The bikers have their own lingo, certain words and phrases that provide no meaning to those outside the group. For instance, the word, “Sootpoot”, which contains sexual innuendo (for them), is used as an adjective, a noun, and a verb, and usually denotes something or somebody attractive. If a woman is described as ‘sootpoot’, it is meant to be a compliment; if a biker is up to some ‘sootpoot’ he is either flirting or up to some mischief with a woman, and so on. Members address each other as “Boss Boss”, a term of respect. The bikers also have certain songs they sing when they go out on rides or gather for social events, the lyrics of which are deliberately silly and in reference to certain activities and adventures they have encountered. One of their songs tells of the bikers’ encounter with a village lass on one of their trips. She is simply referred to as ‘Two-cell battery’ because she apparently owned a flashlight with a two-cell battery, of which she was inordinately proud, and rightly so, for when night fell, the village was enveloped in darkness due to power failure, and her flashlight came in very handy. When the trip was over and they sat down to relive their experiences, it was discovered that most of the bikers on that trip had ‘sootpooted’ with her over the course of the night they spent in her village. The song mocks their own gullibility, and pays homage to her artful ways. The chorus simply celebrates the “two-cell battery” girl.



In so far as the experience of the bike ride is concerned, a common theme amongst those who were interviewed was the thrilling sense of power given by the throb of the engine as it effortlessly maneuvers terrain of all kinds. The identity of the biker melts into that of the bike, until man and machine seem to be one. His machine, then, becomes an extension of his personality; conversely, he becomes an extension of the unleashed force of the machine. On foot, the biker is like any other man. Seated on his powerful machine, he is wild beast, conqueror, powerful regent, warrior, bird, man, god, machine, and wind. Members have also shared that the rhythmic, thumping sound of the bike itself invokes a response in them which is intense. Yet another analogy is drawn between the riding of the bike and that of a powerful horse.



Other members have similarly close relationships with both their bikes and the Thunders Clan. Some members have christened their bikes with female names such as ‘Rosalyn’, and refer to them as such. The clan seems to provide its members with a valid identity that they are proud of. This sense of belonging, this claim to a valid identity, is reinforced by tangible evidence of membership within the specific community, such as the attire that is worn by them – leather jackets, official black t-shirts, tight jeans and leather boots- and Thunders paraphernalia such as logos, stickers, and so on. The male bonding that takes place is as much an affirmation of their solidarity and affiliation to the clan, as it is also a safe harbor that ascertains each member’s significance and worth. In other words, for many, it is the only real identity they have, in that it is one that is voluntarily embraced by them, as opposed to other roles that they play within societal institutions.

Interestingly, the Aizawl Thunders have also succeeded where most Biker Clubs have failed or have not been bothered to try. Like most biker clubs, certain assumptions abound as to the nature of the identity presented by their Biker community. Certainly, the standard attire, greasy long hair gathered in a pony tail, the smoking, drinking and womanizing, the flouting of social norms and conventions often associated with their counterparts in the west also make their appearance within the Thunders. However, almost from the very beginning, the leaders of the clan have had very clear visions as to the direction that it was going to take. A former Chief of the Thunders, Rinchhana, has stated that his dream was that the Biking Club would serve as an ambassador of the state of Mizoram, representing the Mizo people in cultural and social spheres all over the world. To this end, they have consistently renewed their efforts at contributing to society through Charity rides, raising funds and awareness for charitable causes, although they have so far refused to call themselves a charitable organization. In this way, they subvert the roles traditionally attributed to them by using their rides to focus attention on social issues. In fact, they have now become one of the most popular communities in Mizoram, even often being hired by the government to help raise awareness on issues such as disaster management, fire prevention, and conservation of water. Hence, despite the fact that personal preferences and obsessions brought them together, they have moved beyond the self-serving arena into a sphere where they now contribute significantly to the very society which has labeled them ‘rebels’.